Travels from United Kingdom
Beau Lotto's speaking fee falls within range: $25,000 to $30,000 (Speakers' virtual presentation fees are generally around 60-80% of the in-person fee range noted here.)
Globally renowned neuroscientist Beau Lotto brings innovative science to the study of human perception. His work takes place at the intersection between science and the arts, with a philosophical understanding of the way humans perceive the world around them being just as important to him as a scientific one.
Beau’s work comes from Lottolab, which has become a combination of science lab and art studio. In addition to high-level scientific experiments covered by major scientific publications it produces astonishing visual illusions and installations which have exhibited in the Hayward Gallery, the Serpentine Gallery and the Science Gallery in Dublin among other spaces.
Researching into not just human vision but also that of bees and robots, Beau collaborates with artists, musicians, fashion designers and others to find exciting and innovative ways of working. He is particularly passionate about allowing children to develop revolutionary ways of seeing science and learning, and his workshops allow schoolchildren to design their own experiments and analyze their own data.
The Lottotlab has had a two-year residency in London’s Science Museum that led to two BBC2 Horizon programs, to programs on the National Geographic Channel and the world’s first science paper authored by primary school children.
Beau has brought his work on perception to lectures for TED, the RSA series and the BBC. His interactive illusion and game filled lectures have been enjoyed by banks, government agencies and universities including Harvard.
Beau Lotto is a globally renowned neuro-scientist who specialises in perception research, and has for years wowed the world of science with work that blurs the boundaries between neuro¬science and the arts. As well as bending the science of perception, he is also trying to transform the way people think not just about themselves but also about the world around them.
The focus of Beau’s research is perception, but his interest lies as much in a philosophical as scientific understanding of how humans see the world around them. Perception underpins creativity, and therefore innovation; even education is, in principle, the creation of perception. His research encompasses not just human vision, but bee and robot vision too. Beau goes even further by breaking down boundaries not just within his own discipline but between disciplines, by collaborating with artists, musicians, fashion designers and others – anyone who has an interest in exploring different ways of seeing (and doing) things.
Beau’s centre of perception research, known as Lottolab, has become a hybrid science lab-art studio which, as well as undertaking highly controlled experiments resulting in papers published in the top international scientific journals, produces stunning visual illusions and installations that have been included in exhibitions at the Hayward Gallery, the Serpentine Gallery and the Science Gallery in Dublin, among others. His illusions are used by many other scientists, artists, teachers and science museums internationally.
For Beau, the potential for science to not only amaze, but also to transform the way people think of the world is particularly true in the case of children. His workshops give primary and secondary schoolchildren the chance to design their own experiments and analyse their own data, and evidence shows that not just their view of science, but also their confidence and their approach to learning is transformed in the process.
Beau’s experimentalist, visionary approach to science has won him a wide audience, which has broadened dramatically since 2010 with his significant contributions to two episodes of BBC TV’s Horizon programme. One journalist has suggested that Beau could do as much good for the public appreciation of science as Jamie Oliver has done for our appreciation of food and cooking.
Beau has lectured on perception for TED, the RSA series, and the BBC, and also given talks to banks, governments, and universities such as Harvard. He is an inspiring and motivational speaker and uses illusions, games and interaction to engage his audience. Beau gave his second TED talk in July 2012. His first was in 2009 and showed how the brain creates perceptions of oneself and one’s world towards a better understanding of self. His second talk fostered innovation by offering a new route into uncertainty and thus a deeper uderstanding of creativity and learning.
His organsiation Lottolab finished its two-year residency in May 2012 at the world’s best known Science Museum (in London), where they created new paradigms and programmes for engaging small and large audiences with new ways of thinking about science, art and culture. Among other results were two BBC 2 Horizon programmes, two programmes with National Geographic Channel, the world’s first science paper authored by primary school children, which itself resulted in a freely-accessible science education curriculum predicated on creating real science through play.
In Spring 2013 Lottolab will be creating The Experiment in San Francisco with the Peter Baumann Foundation and other investors from Silicon Valley. The Experiment will be a pop-up laboratory space that truly explores what it means to ‘be human’ in highly controlled but wholly creative environment that is a night-club, cabaret and laboratory. The result will be a truly unique experience that blurs the boundaries between science, art and culture, with the aim of shining new light onto human nature.
“Seeing colors is one of the simplest things the brain does, but even at this most fundamental level, context is everything," Beau Lotto explains as he challenges his audience to distinguish between reality and illusion. “What I'm going to talk about is not that context is everything but why context is everything. Because answering that question tells us not only why we see what we do but who we are as individuals."
Beau Lotto speaks on leadership, creativity and innovation as well as personal motivation; he understands the pressures within the world of business and asks his audience to see differently, not just to change their perception of themselves but of the world. He explains that his ambition is for his audience to know less at the end of his talk than they did at the beginning, because that will indicate that they have started to ask questions and as he says: “Anything interesting begins with doubt.”
Beau can also provide an intriguing presentation on infographics, explaining how they enable the brain to construct a useful narrative from seemingly disparate elements, thereby taking the first essential step towards creativity.
Leadership, Creativity & Innovation, Personal Motivation
As the CEO of one company and Director of another, Beau understands the pressures within the world of business. Through presentations that are reflective of his neuroscience research, Beau creatively helps us "see differently" – not only ourselves, but the world around us. Beau says, "my aim is the same in every single talk. I want you to know less at the end than you think you know now. Why? Because science is about questions, not answers. Anything interesting begins with doubt. I want you to have doubt at the end of this. Doubt of the world, but also yourself."
Infographics is essentially the visualisation of information. Because ALL information with which the brain must interact is inherently meaningless, how information is represented is an essential first-step to creativity. Indeed, what makes infographics creative is defined not by the visualisation as such, but by the narrative it enables the brain to construct. Thus, informatics creates the possibility for the brain to create a useful narrative from elements that were previously seen to be disparate. Here I will explore the principles by which the brain creates the narrative that enables it to make sense of the world around it, and thus how methods like infographics enable one to discover what was previously invisible.
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